Arches Watercolor Sheets

The highest quality watercolor sheet in traditional natural white color. Cylinder mould made in France of 100% cotton

with natural gelatin sizing. Flawless textured surfaces of cold-press and hot-press with four deckle edges and a watermark. They are acid-free, buffered and contain an anti-microbial agent to help resist mildew. Available in 140 and 300 lbs., in Bright and Nature White.

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Fabriano Artistico Traditional White Watercolor Paper Sheets

This watercolor paper is mold-made of 100% cotton, double-sized, acid-free/neutral pH, chlorine-free

with four deckle edges and a watermark. The traditional white shade is produced without the use of optical brighteners. Available in 140 lb. (300gsm) and 300 lb. (640gsm) weights.

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Stonehenge Aqua Watercolor Sheets

This paper performs to the most critical demands expected by artists of quality watercolor paper.

Featuring chlorine-free 100% cotton fibers and a neutral pH, this paper delivers great results whether working wet, wet on dry, blending, lifting or masking out.

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Arches Watercolor Blocks

Superior quality, mold-made paper from the Arjomari Mills of France. Made from 100% rag, these 140 lb. blocks

provide a convenient assortment of sizes, weights and surfaces that are ideal for field work. Twenty sheets per block.

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Fluid 100 Watercolor Paper Blocks by Global Arts

These watercolor blocks contain sheets of premium, archival 100% cotton watercolor paper glued on two edges.

As you paint directly on the top sheet in the block, the glue along the two long edges will hold the sheet flat. When your painting is dry, just slide a dull knife or letter opener in the open side under the top sheet. Release the glue along one edge and pull your painting free.

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Yupo Sheets & Pads

This white synthetic paper made of 100% polypropylene offers a unique alternative to traditional art papers.

Pigments applied to the bright white sheets retain their true clarity and brilliance. Waterproof and stain-resistant, it is exceptionally strong, durable and will not buckle or tear. It is acid-free, archival and has a smooth, bright white surface. Originally used for offset printing, it also accommodates silkscreen, embossing, pen and ink, drawing, acrylic painting and aqueous techniques. Yupo is machine-made in the USA and recyclable. As a watercolor paper, it has the advantage of being non-absorbent so colors lie on top of its surface producing brilliant, vibrant effects. Colors retain their true clarity and brilliance. Yupo requires no soaking, stretching, or taping flat. Best of all, it allows you to wipe off unwanted sections of your painting and start again with a fresh surface.

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Rives BFK Sheets

A smooth surface and light sizing makes this paper a favorite with artists and printmakers working in practically every

technique. Mold-made, 100% cotton, acid-free and buffered, the sheets have four deckled edges and a registered watermark. Excellent for all hand-printing processes, lithography, intaglio etching, wood engraving, silkscreen, linocut and collotype. They may also be used for embossing and drawing, though they are not recommended for offset printing.

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Stonehenge Sheets

Stonehenge rivals European mould made papers with its ability to produce excellent results in a variety of printmaking

techniques. In addition to intaglio and silkscreening, Stonehenge works well with colored pencil, charcoal, pastels and watercolors. Machine made in the USA of 100% cotton, neutral pH, two natural deckles and two cut edges. Papers measure: 22" x 30"

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Premier Sanded Pastel Paper by Global Art

Pastel Premier is a unique 100% cotton archival quality sanded pastel paper that is double-primed with an exclusively made

aluminum oxide coating to produce an idea surface for pastel drawing. A final seal coat makes the paper extremely durable and able to withstand any measure of scrubbing and re-working. The base paper is a heavy 145 lb. (300 gsm). It can also be used with oil and acrylic paints, colored pencils and other dry media. Pastel Premier is available in three surfaces: medium fine, fine and extra fine. The medium fine (320 grit used for Italian Clay - warm neutral gray) and fine (400 grit used for white - slightly buff) have a very similar gritty surface. The extra fine is a 600 grit surface that is smoother and available only in white. The medium fine and fine surfaces accept as many as 25 layers of pastel.

Pastel Premier is available in Pochettes (packets of unbound sheets), Sheets and Rolls:
Pochettes: 9" x 12" (8 sheets) & 12" x 16" (6 sheets)
Sheets: 20" x 26" & 26" x 40"

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Premier Sanded Conservation Boards by Global Art

Pastel Premier Conservation Board features 100% cotton, archival quality sanded pastel paper that is double-primed and

coated with an aluminum oxide to produce an idea surface for pastel painting. The base paper is heavy 145 lb. (300 gsm), withstands any measure of scrubbing and re-working, and accepts as many as 25 layers of pastel. This paper works well with oil and acrylic paints as well as colored pencils and other dry media. Pastel Premier paper is mounted on a 4-ply conservation board with a white backing which is acid-free, buffered and neutral pH. No more taping or mounting pastel paper - the mounted boards are designed for easy use, storage and transport.

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Colourfix Sanded Pastel Paper

Colourfix is 140 lb. acid-free watercolor paper that has been professionally screened with ArtSpectrum pastel primer.

The natural toothy surface of this paper is ideal for pastels, pencil or charcoal, as it will hold multiple overlays of color without the need to fix between layers. The absence of fixative will allow the velvet bloom and vibrant color to be preserved. Sheets measure 20" x 28".

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Decorative Papers

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Strathmore Pads & Sheets

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Canson Pads & Sheets

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